This month, we dive deeper into the exploration of aesthetic principles that shaped both Classical and Romantic thought. Beginning with the tension between the Apollonian and Dionysiac forces in Aeschylus’s Oresteia, we transition now to the Romantic era, where the concepts of the Sublime and Romantic Beauty come to the forefront. These ideas, central to the works of Victor Hugo and Théophile Gautier, reflect a rebellion against Classical order and embrace emotional intensity, chaos, and artistic freedom. Through the lens of Hugo’s “Préface to Cromwell” and Gautier’s advocacy for the principle of Art for Art’s Sake, we will examine how Romanticism redefined beauty, art, and human experience.